Edwin Hubble :: essays research papers fc

Edwin Hubble   Ã‚  Ã‚  Ã‚  Ã‚  Edwin Powell Hubble was born on the 20th of November in 1889. He lived in Marshfield, Missouri along with his family. He was said to be a very tall, elegant, and athletic young man. Edwin had a mom, dad, three sisters, and two brothers. His mom and dad were named John Powell and Virginia James Hubble. His sisters were Virginia, Helen, and Lucy Lee. Edwin's two brothers were named Henry and William. William died as a student at a college in Wisconsin and Virginia died when she was a very young girl.   Ã‚  Ã‚  Ã‚  Ã‚  When Edwin attended high school he got a scholarship to go to the University of Chicago, but, unfortunately he had to share the scholarship with another student. After a few years Edwin decided to try Queens College located in Oxford, but later went back to the University of Chicago for postgraduate work. Edwin, at age thirty, had an undergraduate degree in astronomy and mathematics, a legal degree as a Rhodes scholar, followed by a PhD in astronomy. Edwin Hubble originally started out as a lawyer. For one year he taught Spanish and mathematics for New Albany High School. He also coached a basketball team. The high school dedicated their yearbook to Edwin Hubble that year. Finally after teaching at the high school Edwin went to Yerkes Observatory to be an astronomer. He was the very first person to try a two hundred inch telescope. Edwin Hubble served for two years in the military. Edwin also served in WWI, and met the rank of a major. In 1919, for the rest of his life Edwin would go to and worked at Mount Wilson Observatory in California in.   Ã‚  Ã‚  Ã‚  Ã‚  Edwin Hubble had many great accomplishments as an astronomer in his lifetime. Some of Edwin Hubble's greatest accomplishments were: Edwin Hubble proposed a classification system for nebulae, which are fuzzy little patches of light that are up in the sky. He discovered a variable star, called the Cepheid. It is located in the Andromeda Nebulae. Edwin Hubble settled decisively the question of the nature of the galaxies. Edwin Hubble's distribution of galaxies was determined to be homogeneous in distance. Edwin wanted to classify the galaxies according to their content, distance, shape, and pattern of brightness. By observing redshifts Edwin saw that galaxies were moving away from each other at a rate constant to the distance between them (this is known as Hubble's Law).

A Fledgling’s Masterpeice Essay

Citizen Kane is widely hailed as the â€Å"great American film† and with good reason. From its complex narrative structure to pioneering photography to its incredibly rich use of sound, Welles’ 1941 picture remains one of the most innovative movies ever to come out of a Hollywood studio. Even Today Citizen Kane stands out as one of the great films of all time. Unfolding almost entirely in flashback, Welles’s masterpiece presents various perspectives on the oversized life of the recently deceased Charles Foster Kane. Through the reminiscences of friends, family, and coworkers, the film moves from Kane’s childhood to his rambunctious adolescence, from the heights of his success to the depths of his isolation. All the while there is a search for clues to Kane’s mysterious last word: â€Å"Rosebud.† The puzzling phrase drives the tale, but ultimately it is only a means of exploring the film’s real theme: the impossibility of truly understanding any human being. In the film Kane (Orson Welles, who also directed and co-wrote the screenplay) is separated from his parents as a child and made heir to an enormous fortune. Coming of age, he decides to run a newspaper, sensationalizing the news and considering himself to be the voice of the people. With ambitions beyond publishing, he runs for New York Governor, and later promotes the singing career of his second wife Susan. He also builds Xanadu, an extravagant palace that is never finished. These various ambitions fail, and Kane dies a wealthy but spiritually broken man. When William Randolph Hearst (multimillionaire and media tycoon) got wind of what 25-year-old Orson Welles was creating at RKO’s film studio, he feared his life was the inspiration for the main character. In response Hearst and his newspapers employed all their influence to try and stop Citizen Kane’s 1941 release. John O’Hara of Newsweek addresses just this controversy in his review of Citizen Kane. He begins by stating that Citizen Kane is the finest film that  he has ever seen and that Orson Welles is the greatest actor ever. This is a bold statement to make at the time because it was printed before the film was released and before any kind of public consensus could be made. O’Hara’s observation would turn out to be somewhat true. His reasons for promoting Citizen Kane are no more than pure enthusiasm and support for a film that impressed him greatly. He states that his intension is to make you want to see the picture that he believes to be â€Å"as good a picture as was ever made†. (O’Hara 60) O’Hara seems to be more of an excited fan than a film critic. His unbridled enthusiasm is evident in every sentence of his review. He appears to be an admirer of Orson Welles’ just as much as the movie itself. He states that Citizen Kane lacks nothing. Later in the article, as if to be reassuring, he says that â€Å"aside from what it does lack Citizen Kane has Orson Welles†. He compares Welles to artists like F. Scott Fitzgerald who had gone unrecognized until after his death. He ends his article with the statement that there has never been a better actor than Orson Welles and then repeats that very statement. (O’Hara 60) The controversy surrounding Citizen Kane and W. R. Hearst is also addressed by Bosely Crowther of the New York Times. He says that â€Å"suppression of this film would be a crime†. But unlike O’Hara, Crowther seems a little more critical of the film. He says that Welles’ abundance of imagery is so great that it sometimes gets in the way of his logic. He also claims that the film â€Å"fails to provide a clear picture of the character and motive behind the man whom the whole film revolves†.(Crowther 5) Aside from the few critical points, Crowther was very complimentary towards Citizen Kane. He comments on the excellent direction of Mr. Welles and the sure and penetrating performances of the entire cast.Crother feels that Citizen Kane is one of the most realistic takes on the cinema to date. He describes it as cynical, ironic, oppressive, and realistic. â€Å"Citizen Kane has more vitality than fifteen other films we could name†. (Crowther5) The New Yorker’s John Marsh also is very complimentary of Citizen Kane, but  for much more technical reasons. He addresses the many aspects of the film that set it apart from all others. â€Å"Since movies hitherto have commenced with a cast list and a vast directory of credits, we are promptly jolted out of our seats when Citizen Kane ignores this convention and slides at once into the film.† He believes that this formal difference is revolutionary enough to establish Welles’ independence from convention. â€Å"This independence, like fresh air, sweeps on and on through the movie.†(Marsh 79) Marsh also comments on Welles’ method of storytelling with the use of repetition and flashing scenes. â€Å"With a few breakfast scenes, the progress of a marriage is shown as specifically as if we had read the wife’s diary. To Marsh something new has come to the movie world at last. He believes that the film’s triumphant quality is that although Kane is presented as a villainous miser, the human touch is not lost. Sympathy for the preposterous Mr. Kane survives. All three of these writers share a similar opinion about Citizen Kane. Individually they each appreciate different aspects of the film. John O’Hara is intoxicated with the performance of Orson Welles, both in front and behind the camera. Bosely Crowther discusses the reality of the film itself. John Marsh believes that it’s unconventional approach is what will set Citizen Kane apart from other movies in the future. Although each writer praises different aspects of the movie they all agree that Citizen Kane is a film that will drastically alter the film making processfrom now on.

Cultural Competence Is A Critical Instrument For Any...

Summary Cultural competence is a critical instrument for any government since it indicates the users and information and the relevant terms and concept. Particularly in the federal government who mandates the delivery of culturally competent health care to these communities, and health services in a culturally appropriate way. Therefore, the concept of diversity now includes cultural diversity or different cultures with diverse features. For this reason, the importance of such research into these areas deliveries of health services to immigrant and minority community incorporated into the concept of the public administration spectrum. Perceiving the way to overcome or bridge the conflict to provide culturally health care, to these communities as well. Preceding the public administrators to research and draw heavily from these inquiries. Findings tenet to most researchers on the topic in respects for the understanding of the difference classes and incorporated into the public administration literature. This causing manager to create effective cross-cultural work teams and prevent an organization from becoming dysfunctional. Further, managers need a fast way to learn enough about the diverse groups to accommodate their workforce to function effectively. Justice Sotomayor commented, â€Å"I would hope that a wise Latina, with the richness of her experiences, would more often than not reach a better conclusion that a white male who has not lived that life.† (Savage 2009) Words ofShow MoreRelatedAmerican Indian Behavioral Health Assessment Instruments4140 Words   |  17 PagesAmerican Indian Behavioral Health Assessment Instruments Dee Manatowa University of New England Abstract Mental and behavioral health agencies who service American Indians should employ a culturally relevant approach. 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